Historic photographic processes have become an exciting alternative and even complementary technique to digital imaging. At George Eastman House, participants not only get hands-on instruction on the processes, but also get to view prime examples from the Museum’s incomparable collections.
No prior experience is necessary for most of these workshops. They are suitable for artists, photographers, students, teachers, and anyone interested in using these rare 19th century processes in the 21st century.
Don't see the process you'd like to learn? We teach a wide variety of early photographic techniques in private group workshops and individual tutorials. We offer workshops all over the world, and events can also be held at an institution near you. Ask about arranging a workshop or illustrated lecture to suit your needs.
For more information or to register, contact us at (585) 271-3361 ext. 323 or by e-mail at photographicworkshops geh org.
Start-up funding for this workshop series was provided by a grant from Howard and Carole Tanenbaum.
March 25, 2015 through March 27, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
New in 2015! Learn how to retouch actual glass negatives using nineteenth-century techniques in this unique hands-on workshop.
April 6, 2015 through April 8, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
In this workshop, Historic Process Specialist Nick Brandreth and Process Historian Mark Osterman will guide participants in mixing the emulsion, coating paper by hand, printing, and processing this amazing silver chloride emulsion.
April 13, 2015 through April 14, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
New in 2015! In this two-day hands-on workshop guest instructor Anna Michas-Bailey, photograph conservator, will show participants how to identify various mechanical and photomechanical printing processes commonly found in limited edition prints, illustrations in books, and even post cards.
April 20, 2015 through April 24, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
Sold Out! Please email firstname.lastname@example.org to be added to the waiting list. In this intensive five-day workshop, participants will be guided through the basics of making these unique positive wet-collodion images.
May 5, 2015 through May 8, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
Conducted by Mike Robinson, acknowledged as a modern master of the medium, this workshop covers the techniques perfected by commercial daguerreotypists in the 1850s.
May 14, 2015 through May 15, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
Make your own tintype portrait and still-life image in this special two-day basic workshop designed just for beginners.
May 18, 2015 through May 19, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
Make your own ambrotype portrait and still-life image in this special two-day workshop designed for beginners.
June 1, 2015 through June 5, 2015 at Letchworth State Park.
Destination Workshop! In this excursion workshop to Letchworth State Park, participants will be guided in making their own silver bromide gelatin emulsion, followed by three days of hiking, camping, and shooting plates in a 4x5" view camera.
June 15, 2015 through June 19, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
This five-day, hands-on negative workshop is for the experienced collodion ambrotypist or tintypist who wants to get to the next level.
July 13, 2015 through July 17, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
New in 2015! In this five-day workshop, participants will make both gelatin emulsion negatives and gelatin emulsion printing paper, shoot negatives in the Eastman House gardens, and process them afterwards.
July 27, 2015 through July 29, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
Make real daguerreotypes with your own 35mm camera without expensive processing equipment or dangerous chemicals.
August 3, 2015 through August 8, 2015 in the Adirondacks.
Destination Workshop! This vacation workshop features shooting handmade gelatin dry plate negatives in the Adirondacks. This process is similar to that used by famed nineteenth-century Adirondack photographer Seneca Ray Stoddard, who brought attention to this amazing Eastern wilderness.
August 17, 2015 through August 19, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
Learn the most popular printing process of nineteenth century, preparing the egg whites, coating and sensitizing the paper, and printing from digital and glass collodion negatives.
August 20, 2015 through August 21, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
Learn the basics of making prints with the first photographic printing process, introduced by William Henry Fox Talbot in the 1830s.
September 16, 2015 through September 18, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
New in 2015! In this three-day workshop participants will attend several illustrated lectures on the evolution of the photographic process from its beginnings in the 1830s through the digital age.
October 7, 2015 through October 9, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
Learn both of these rare processes in the same workshop, making images from glass, film, and digital negatives.
October 28, 2015 through October 30, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
Make your own “ghost” images in this popular workshop, in which you’ll learn the basics of making wet collodion tintypes as well as techniques like multiple imagery, ghost imagery, controlled image deterioration, and more.
November 11, 2015 through November 13, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
New in 2015! This special workshop is specifically for making, coating, and processing an enlarging speed silver bromide emulsion.
December 3, 2015 through December 4, 2015 from 9:00 a.m. to 5:00 p.m. at George Eastman House.
This workshop covers photographic processes used in the nineteenth century. Combined with tips for preserving vintage photographic images, this is a fun and informative workshop that demystifies an otherwise very difficult job.